Norwegian Post-Metal/Prog/Jazz-Outfit ASTROSAUR recently ynnounced their sophomore album 'Obscuroscope' through PELAGIC RECORDS; Release date: September 27.
Invisible Oranges just premiered the bands 2nd single AT THIS LOCATION
In Case you missed it. The band's first single 'Poyekhali' has been premiered AT THIS LOCATION.
"If you’re not already hip to Astrosaur, well, you need to be. The instrumental Norwegian trio just may be the next great post-metal band. On their sophomore album, Obscuroscope, they swirl together a radiant array progressive mathy jazz-infused rock that will leave you feeling light-headed. It’s the kind of album that perfectly balances expert compositions with “What the HELL…?!?!” levels of musicianship, something that will appeal to be both the nerdiest of gear and theory hounds and more casual listeners alike. It’s awesome stuff." Metal Sucks
ASTROSAUR's virtuous necro-nautic universe consists of equal parts instrumental rock and post-metal, studded with lavish prog-, jazzmathrock- and black metal ornaments.
„The general public perceives academia and heavy metal as rivals, but ASTROSAUR, whose members studied at the Conservatory of Music in Kristiansand, lean toward the intellectual without sacrificing any authenticity“, Invisible Oranges said about the Oslo 3-piece. Virtuous guitarist and main song writer Eirik Kråkenes has filled in as a session musician for Norwegian acts Leprous and Ihsahn, among many others... he is one of those people you meet at literally every European metal festival, but always with a different band.
ASTROSAUR is his own band and brainchild, and Obscuroscope is only their sophomore album – hard to believe, considering the musical scope and the maturity of songwriting on display here.
„Obscuroscope“ is in many ways a record about curiosity“, Kråkenes explains. „Thematically, each song relates to stories of exploration, of unveiling that which is obscured and of discovering the unknown. This theme is also a parallel to how Astrosaur try to work as a band, letting curiosity lead the way in the continuous exploration of our own musical universe“.
Although heavier and more energetic, Obscuroscope feels slightly brighter in vibe overall, than the bands debut offering Fade In // Space Out. The songs have more riffs and written parts while maintaining some of the space, ambience and room for improvisation from the previous record: „Whereas on ‘Fade In // Space Out’ we kind of made a point of basically recording the album live, we were not afraid of overdubbing or tracking instrument by instrument for the parts that demanded that, while still recording other parts live. This, ironically, resulted in a sound more true to how Astrosaur sounds live“, says Kråkenes.
Part of the album was conceived on the road, due to the member's heavy touring schedules with Astrosaur, as well as commitments to other bands. They had only six days to try out and finalize the ideas from the road in the studio, which brought in an element of spontaneity to the recording session. But more than anything, ASTROSAUR is a band you essentially must see live: Loudersound called ASTROSAUR „a mesmerizing opener“, on their 2017 tour supporting Leprous, and Heavy Mag found them to be „a serious case of excellent composition together with a strong stage presence“.
Eirik Kråkenes (Guitar) // Steinar Glas (Bass) // Jonatan Eikum (Drums)
FOR FANS OF
Radiohead, Ulver, Kongh, Trans Am, Elder, Mastodon, Leprous, Hedvig Mollestad Trio, Bushman’s Revenge, El Doom & The Born Electric, Jaga Jazzist, Enslaved
„Thick stoner sound of a fuzz pedal together with a distorted bass creates one hell of a soundscape“ Ultimate Guitar
„What we have here is a serious case of excellent composition together with a strong stage presence.“ Heavy Mag
„a mesmerizing opener“ Louder Sound
(The band) „tips its hat toward The Dub Trio, Kongh, and Trans Am in their quest to bond instrumental prog and stoner rock and ensure that each track transfers a mood, whether influenced by scorching classic rock, heady space rock, or scathing blackgaze. The Norwegian trio perform in synchronicity and balance a jazz influence between the rockier and more mentally taxing sections.“ Invisible Oranges
„tremendous; dynamic math rock with a slight stoner vibe detouring to a massive post-rock climax.“ Echoes and Dust
„Mal sphärisch abdriftend, mal ausufernd jazzy, mal bluesig jammend, mal dynamisch zurückhaltend, mal heavy doomend, sogar alte Mastodon und The Ocean-Querverweise zum Instrumental-Meisterwek PELAGIAL lassen sich ausmachen.“ Metal Hammer